Chess Notes
Edward
Winter
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8418. Tartakower blindfold game
C.N. 8118 mentioned the rarity of blindfold games played
by Tartakower. Below is a specimen (from a five-board
display) published on page 138 of Schachjahrbuch für
1909 by Ludwig Bachmann (Ansbach, 1909):
Savielly Tartakower – Häusler
Augsburg, 14 September 1909
Queen’s Gambit Declined
1 d4 d5 2 c4 e6 3 Nc3 c5 4 cxd5 exd5 5 e4 dxe4 6 d5 Bf5 7
g4 Bg6 8 Bf4 Bd6 9 Qa4+ Kf8 10 Bxd6+ Qxd6 11 O-O-O Qf4+ 12
Rd2 Nf6 13 h4 h5 14 Nh3 Qxg4 15 Rg1 Qd7 16 Qc4 Na6
17 Rxg6 fxg6 18 Ng5 Re8 19 Bh3 Ng4 20 Ne6+ Kg8 21 Qxe4
Qf7 22 f3 Nf6 23 Qc4 Nc7 24 Ng5 Re1+ 25 Kc2 b5 26 Nxf7
(The Schachjahrbuch does not mention the
possibility of 26 Qxc5.) 26...bxc4 27 Nxh8 Kxh8 28 d6 Na6
29 a3 Re8 30 d7 Rd8 31 Ne4 Nxe4 32 fxe4 Kg8 33 e5 Kf8 34
e6 Nc7 35 Rf2+ Ke7 36 Rf7+ Kd6 37 e7 Rxd7 38 e8(Q) Nxe8 39
Rxd7+ Ke5 40 Re7+ Resigns.
Isaac Leopold Rice and Richard Teichmann – Erich
Cohn and Oscar Tenner
Berlin, 16 September 1910
Rice Gambit
1 e4 e5 2 f4 exf4 3 Nf3 g5 4 h4 g4 5 Ne5 Nf6 6 Bc4 d5 7
exd5 Bd6 8 O-O Bxe5 9 Re1 Qe7 10 c3 Nh5 11 d4 Nd7 12
Qxg4 Ndf6
13 Qxc8+ Rxc8 14 Rxe5 Ng4 15 Rxe7+ Kxe7 16 Na3 f5 17
Bd2 Kf6 18 Nc2 Rce8 19 Rf1 Ng3 20 Rf3 Re7 21 d6 Ne2+ 22
Kf1 Nh2+ 23 Kf2 Ng4+ Drawn.
Source: Deutsches Wochenschach, 9 October 1910,
page 369. Page 350 of the 25 September 1910 issue
reported that the players contested three games
beginning with 13 Qxc8+ (two draws and one win for
Black).
As shown in Professor Isaac Rice and the Rice
Gambit, in the diagrammed position Capablanca played
13 Qe2 in a 1913 consultation game which he lost.
8420. Nimzowitsch’s lamentation (C.N.s
5019 & 6718)
C.N. 5019 quoted from an article by H. Kmoch and F.
Reinfeld on page 55 of the February 1950 Chess Review:
‘A man mounting a table, however, and yelling at the
top of his voice, “Why must I lose to this idiot!” (“Gegen
diesen
Idioten muss ich verlieren!”) would be following
the example of Nimzowitsch, who thus vented his rage –
after losing in the last round of a great rapid transit
tournament in Berlin and so missing first prize.’
We mentioned that the tournament in question had not been
identified.
Now, Alan McGowan (Waterloo, Canada) draws attention to
pages 168-169 of Schachwart, September 1928:
The magazine states that for the rapid transit tournament
in Berlin two preliminary groups were formed: non-smokers
(Nimzowitsch being the victor, ahead of List) and smokers
(Sämisch finished ahead of Ahues). In the play-off games,
the smokers were victorious: Sämisch defeated Nimzowitsch,
and Ahues won against List.
8421. Feature articles
Information is sometimes added direct to feature
articles. Today, for instance, we have made additions to:
As listed on the Archives
page, there are now nearly 340 feature articles.
8422. An ending published by Lasker
Our article A Pawn
Ending Mystery refers to page 279 of The Joys of
Chess by Fred Reinfeld (New York, 1961), where a
chapter entitled ‘Boners of the Masters’ discussed an
alleged mistake by Capablanca in Chess Fundamentals.
By way of introduction, on pages 277-278 Reinfeld wrote:
‘When superb masters of the endgame – such outstanding
men as Lasker and Capablanca – go wrong in simple
endings, then we can only proclaim our utter
bafflement.’
He then wrote about ‘a simple ending in which Lasker goes
sadly wrong’:
In passing, mention may be made of the notational error
11 B-R3 in the final line.
As with the Capablanca position, matters are far more
complicated than Reinfeld indicated. Firstly, we have
found no edition of the Manual of Chess in which
Lasker gave the position shown by Reinfeld. There was,
however, a very similar position (no black pawn on b5):
Lasker’s Manual of
Chess (New York, 1927), page 258
Lasker’s Manual of
Chess (London, 1932), page 232, as well as the
edition revised by Reinfeld (Philadelphia, 1947)
It will be noted that the text varies: the original 1927
edition’s ungrammatical wording ‘any one of his Pawns’ was
amended to ‘either of his Pawns’ in the 1932 edition.
Analytically, however, what Lasker wrote was correct.
The Manual was a translation/adaptation of Lehrbuch
des
Schachspiels, first published in Berlin in 1926 and
with, it seems, a total of eight editions by 1928. We do
not have them all, but the following sample pages show
that a position with three black pawns did appear.
Subsequently, the b5 pawn was removed, and the text was
amended (with a mention of 3...d2+ in case Black had three
pawns):
Three pawns: page 199 of
Lehrbuch des Schachspiels, third edition (Berlin,
1926)
Two pawns: page 203 of Lehrbuch
des Schachspiels, sixth edition
(‘sechste durchgesehene und vermehrte Auflage’)
(Berlin, 1928)
The three-pawn position was discussed by Walter Korn in
Chess Review, May 1965, page 143:
It will be appreciated if a reader can provide the items
in Caissa (1950) and L’Echiquier de Paris (1951),
as well as any other information about A. Fanderl
(described by Reinfeld in The Joys of Chess as ‘a
humble amateur otherwise unknown to fame’).
Below is an extract (pages 507-509) from Nouveau
traité complet d’échecs. La fin de partie by André
Chéron (Lille, 1952):
Finally, we add, courtesy of the Cleveland Public
Library, the article by Lars Hanssen in Norsk
Schakblad which was mentioned by Chéron in the
footnote on page 507:
Loose ends currently remain, and it cannot be said when
Lasker realized that he was mistaken about the position
with three black pawns. As shown above, a correction had
already been made (in the New York, 1927 edition of the Manual)
before Hanssen wrote about the position in the Norwegian
magazine.
8423. Caro-Kann Defence
Regarding the Caro-Kann
Defence, Thomas Niessen (Aachen, Germany) draws
attention to an article by A. Csánk, ‘Die
Vertheidigung 1...c7-c6 als Entgegnung auf 1 e2-e4’,
in the Wiener Schachzeitung, 1 September 1887 (pages
49-52) and 1 October 1887 (pages
73-75).
Our correspondent comments:
‘Csánk reports that Marcus Kann, who had died the
previous year, was the first to apply the defence, and
that Csánk, Ja[c]ques Schwarz and M. Weiss analysed it
before Weiss played it at Nuremberg, 1883.’
A general provision concerning repetition of position or
moves was published on pages 106-107 of Le
Palamède, March 1846 (the fifth in a list of
possible ways of drawing):
‘1. quand il y a Pat;
2. quand on persiste dans un Echec perpétuel;
3. quand il n’y a plus assez de forces pour donner
le Mat;
4. quand, même avec assez de forces, on ne sait pas
dans une fin de partie faire Mat en cinquante coups;
5. quand les deux joueurs persistent toujours à
jouer le même coup.’
Page 107 contained a brief elucidation of the fifth
point:
‘Supposons qu’un joueur persiste à attaquer une
pièce avec une des siennes, et que son adversaire
persiste à la jouer toujours sur les mêmes cases, ou
que de semblables systèmes de répétition soient
adoptés de part et d’autre, sans qu’aucun des deux
joueurs veuille céder en changeant son coup, alors il
est évident que la partie est nulle, car le résultat
est en réalité le même que celui d’un Echec
perpétuel.’
‘It is an axiom in chess that he who plays to win a
drawn game loses it.’
Source: Chess Player’s Magazine, 1 August 1867,
page 229.
Luc Winants (Boirs, Belgium) has supplied the requested
article in L’Echiquier de Paris, published on
pages 42-43 of the March-April 1951 issue. It will be
noted that the Lasker and Capablanca endings were both
given, and that the remainder of the article contained
sharp criticism of Reuben Fine’s Basic Chess Endings.
8427.
Who? (C.N. 8416)
This photograph was published in L’Echiquier, 23
March 1933, with the following information on page 64:
‘Président de la fédération portugaise des échecs,
le Docteur João Maria da Costa est certainement la
personnalité la plus éminente des milieux échiquéens
portugais.’
Olimpiu G. Urcan (Singapore) has found the game below
(from a 32-board simultaneous display) on page 4 of
Section Two of the Sunday Oregonian, 13 May
1917:
José Raúl Capablanca – Frank Sternberg
San Francisco, 11 April 1916
Vienna Game
1 e4 e5 2 Nc3 Nf6 3 Bc4 d6 4 d3 Nc6 5 f4 Bg4 6 Nf3 Nd4
7 O-O Nxf3+ 8 gxf3 Be6 9 Kh1 Qd7 10 f5 Bxc4 11 dxc4
O-O-O 12 b4 Qc6 13 Qd3 g6 14 Bg5 Be7 15 Bxf6 Bxf6 16 Nd5
Bh4 17 f6 Qd7 18 b5 Qe6 19 a4 Bxf6 20 a5 Bg5 21 b6 axb6
22 axb6 c6
23 c5 Kd7 24 Ra7 Rb8 25 Nc7 Qe7 26 Rd1 Rhd8 27 cxd6 Qf6
28 Na6 Ke8 29 Nxb8 Rxb8 30 d7+ Kf8 31 Rda1 Kg7 32 Ra8
Qd8 33 Rxb8 Qxb8 34 c4 c5 35 Qd5 Be7 36 Ra7 Resigns.
8429. An ending published by Lasker
(C.N.s 8422 & 8426)
Alan McGowan (Waterloo, Canada) has forwarded the brief
article by A. Fanderl which was published on page 133 of
the 1 May 1950 issue of Fritz Barkhuis’s periodical Caïssa:
Our correspondent has found no other references to
Fanderl, whose ‘discovery’, in any case, was not new.
Leonhardt’s name is seldom associated with blindfold
chess, but a specimen of his play (in a six-board
display) can be given from pages 42-43 of Schachjahrbuch
für 1910. II. Teil by L. Bachmann (Ansbach,
1911):
Paul Saladin Leonhardt – Oskar Andresen
Kristiania, 6 May 1909
French Defence
1 e4 e6 2 d4 d5 3 Nc3 c5 4 exd5 exd5 5 Nf3 Be6 6 Be2 h6
7 O-O Nf6 8 Be3 c4 9 Ne5 Nc6 10 f4 Ne7 11 g4 g6 12 Rf2
a6 13 Qf1 Rg8 14 Kh1 b5 15 f5 gxf5 16 gxf5 Bc8 17 Qh3
Qc7 18 Bh5 Ng6
19 fxg6 fxg6 20 Qf3 Nxh5 21 Nxd5 Qb7 22 Nc7+ Qxc7 23
Qxa8 Qb7+ 24 Qxb7 Bxb7+ 25 Kg1 Bd5 26 Raf1 g5 27 Rf5 Be4
28 Rf7 Nf4 29 Bxf4 gxf4+ 30 Kf2 Rg2+ 31 Ke1 Rxc2 32
Rxf8+ Kxf8 33 Rxf4+ Kg8 34 Rxe4 Resigns.
8431. Learn Chess Fast!
From page 7 of Learn Chess Fast! by S. Reshevsky
and F. Reinfeld (London, 1952):
Concerning the reference to ‘some 60 centuries’, we have
seen other editions of the book (originally published in
the United States in 1947) which have ‘some 13 centuries’:
Readers’ help is requested to determine the chronology of
that textual change in the various editions published on
both sides of the Atlantic.
Below is Reshevsky’s inscription in our copy of a New
York edition, published by David McKay Company, Inc.
(‘Sixth Printing January 1958’):
Another curiosity, on pages 25-26, is the presentation of
the knight’s move in the captions to diagrams 50-53:
Have many other instructional works explained the
knight’s move in this way, i.e. by reference to squares
inaccessible to the queen?
8432. Sergiu Samarian
A case that will be added to Gaffes
by Chess Publishers and Authors is Opening
Tactics for Club Players by ‘Sergio’ Samarian
(London, 1980). That was the misspelling of the author’s
forename on the title page and imprint page, whereas the
dust-jacket was correct:
Wanted: information about the French text which Elaine
Pritchard translated.
Below, from our collection, is an inscription by Samarian
in one of his other works, Să învățăm metodic șahul
(Bucharest, 1965):
Sergiu Samarian (1923-91) was a prominent Romanian figure
but had no entry in the country’s standard chess
encyclopaedia, Şah de la A la Z by Constantin
Ştefaniu (Bucharest, 1984). Has the omission ever been
explained (e.g. on the grounds of Samarian’s emigration to
West Germany)?
8433. The first Cuban grandmaster
In a report on the 11th Capablanca Memorial Tournament
in Camagüey on page 196 of the April 1974 CHESS
David Levy stated that Guillermo García ...
‘... had the satisfaction ... of beating three
grand masters and he left no doubt that he will be Cuba’s
first GM.’
That occasioned a reaction on page 79 of the December
1974 CHESS:
The prediction about Guillermo García proved wrong (he
became a grandmaster in 1976, the year after Silvino
García), but the matter came back to mind when we saw page
9 of the 8/2013 New in Chess. A reader, John
DiLucci of Irving, TX, USA, condemned the statement (‘so
ridiculous that it is beyond comprehension’) from page 36
of the 6/2013 issue that ‘in 1975 Cuba’s first grandmaster
Silvino García dedicated his title to Che’. Mr DiLucci
wondered whether the author of the offending article on
Che Guevara (Adam Feinstein) and the New in Chess editorial
staff could be ‘so uneducated ’ as to be unaware of
Capablanca.
The letter was deemed easy to rebut and, therefore,
printworthy, and in the 8/2013 New in Chess about
40 lines were made available for the ‘discussion’, which
included the editorial response that Capablanca was never
‘officially’ a grandmaster, given that he died some years
before FIDE introduced the title (a perfectly defensible
argument).
In fact, though, Mr DiLucci had merely been reacting to a
pull-out quote in the 6/2013 issue, and neither he nor the
editorial staff apparently realized that on the previous
page of Adam Feinstein’s article (i.e. page 35) Capablanca
was specifically mentioned:
‘... Silvino García, who in 1975 had fulfilled
Guevara’s prophesy [sic] by becoming Cuba’s first
grandmaster since the death of Capablanca in 1942.’
Below are the last two names on a list of challengers
on page 279 of Keene On Chess by Raymond Keene
(New York, 1999):
The respective dates should obviously be 1993 and 1995.
Mr Keene, though, stuck to his guns. From page 280 of
his Complete Book of Beginning Chess (New York,
2003):
8435.
Development
From page xvii of Paul Morphy The Pride and
Sorrow of Chess by David Lawson (New York,
1976):
‘It is true that Morphy’s time at the chessboard was
short; however, before the conclusion of that short time
his “secret”, as many have spoken of it, was revealed.
But until that secret was revealed, all fell before him.
His secret – rapid and consistent development – is now
recognized as a basic law of chess, a law that
revolutionized the game.’
Reviewing the book on pages 33-34 of the January 1978 BCM
David Hooper wrote:
‘Morphy’s contribution to the game is hardly discussed,
except to say that his “secret” was rapid development;
however, his match opponents developed no less quickly.
His superiority lay in both his technique and his
tactical skill.’
The importance of development was often stressed before
Morphy came to prominence. For example:
‘– En commençant une partie, quel est votre premier
objet?
– De sortir mes pièces et de les placer dans des
positions à la fois favorables à l’attaque comme à la
défense.’
Source: Le Palamède, April 1846, page 145.
Which was the first occurrence in chess literature of a
clear exhortation to develop pieces in the opening?
From a postcard which David Hooper sent us on 23 August
1975:
‘[X – we omit the individual’s name] should
be ignored, given enough rope he will hang himself.
History will accord him no place. I have a little
sympathy for Reinfeld. He started with some serious
books, found they didn’t pay, that the public wanted
drivel (How to win in ten moves) and American pace
necessitated mass production of drivel, he developed
contempt of chessplayers, including many champions.
His Lasker book was good, but sales low and no
sequel possible. He had a rapid, keen mind, and
found chess masters altogether narrow and often
stupid. I think he wrote the Marshall book which
makes Marshall look like a moron which is not a bad
description anyway. He had a fine mind and had to
write drivel to live, and lost all the joy of doing
a task well.’
C.N.s 644 and 5036 quoted some comments to us about
Reinfeld from Irving Chernev, in a letter dated 19
January 1977:
‘I thought I was the only one who saw that The
Human Side of Chess was written with venom. But
then, Reinfeld hated impartially! He hated Morphy,
Alekhine and Capablanca most of all. He hated all
chessplayers – except those who bought his books.
Those he despised.’
The remarks were also given on page 265 of Chess
Explorations, where we added:
On page 127 of America’s Chess Heritage,
Walter Korn reported that in 1950 he had questioned
Reinfeld about the contrasting quality of his early
and late writing. Reinfeld replied: ‘In those days I
played and wrote seriously – and got nothing for it.
When I pour out mass-produced trash, the royalties
come rolling in.’
In C.N. 793 a correspondent in Australia, Bob Meadley,
submitted a letter dated 14 January 1965 which Fred
Reinfeld’s widow, Beatrice, wrote to C.J.S. Purdy, the
Editor of Chess World:
‘I’d like to make a correction – but you need not
print it, it does not matter now, but it might give
you some picture of the man. The reason Mr Reinfeld
wrote so much was that he did not have a
steady, or indeed any other, job. He devoted himself
entirely to study and writing on subjects that
interested him. He had the capacity to do many things
at once and he had several desks on which he worked at
different projects. No matter what they were, there
was always a chessboard there with a magazine, or a
book, so that he could turn aside from his work to
play over a game or study a position that intrigued
him.
You may think his output of chess books was large.
But I have files and files of annotated games and
positions which were never published. It was not by
choice that he gave up writing chess books of the
depth of his early ones, which he published himself
under the imprint of the Black Knight Press. Fred’s
popular books brought many people to a deeper
understanding of chess than they otherwise would have
had – and we must not look down our noses at the
learners and average players. The masters may look
down their noses at these books, but we knew that they
meant a great deal to many people who did not aspire
to tournament play – was it Tarrasch who said
something to the effect that “chess, like music” had
the power to make men happy”? In his way my husband
brought that happiness to many people. He would have
preferred to continue to write books like The
Human Side of Chess, or his Limited Editions, or
his pamphlets on the openings and endings, but they
were beyond the average player – and the masters, who
complain about his simpler books, certainly gave him
no encouragement. So the chess world was indeed a
tragic world for him in a sense. However, the breadth
and depth of his other interests kept him too busy to
worry about that.’
The back of the
dust-jacket of How To Get More Out Of Chess by
Fred Reinfeld (New York, 1957).
8437. Caïssa front-cover
cartoons
The front cover of Caïssa, 1 May 1950 has
been forwarded by Alan McGowan (Waterloo, Canada):
The magazine gave no explanation (concerning the context,
for instance, or the rotation of the chessboard), but Mr
McGowan notes that, as mentioned on page 129 of the issue,
the Candidates’ tournament in Budapest was in progress.
One of the games between Bronstein and Kotov was drawn in
15 moves.
A book of cartoons is Chess for Laughs by Joel
Rothman (London, 2007). The front and back covers:
There has also been a comic-strip chess magazine, The
Incredible Adventures of Chessman:
We believe that there were only these two issues,
published in 1975 and 1982. The text of both was by John
Watson, with the artwork credited to Chris Hendrickson
(1975) and Svein G. Myreng (1982).
8440. Development (C.N. 8435)
From Robert John McCrary (Columbia, SC, USA):
‘Around 1801, Ercole del Rio prepared a manuscript
for publication, but it was not published until 1984,
after Christopher Becker found it in the Cleveland
Public Library. He presented it with English
translations and additional material, in cooperation
with Caissa Limited Editions, under the title The
War of the Chessmen.
The first of del Rio’s general maxims, as translated
on page 11, reads:
“The aim of the first moves should be to develop the
pieces in the shortest time possible, and in such a
way that none impedes the free movement of another,
nor exposes itself to immediate harassment. The
economy and the precision of the first moves may well
decide the outcome of the game.”’
The photograph below comes from page 56 of the March
1927 American Chess Bulletin:
Larger version
There could hardly be a more difficult identification
exercise, even with the aid of the report on pages 57-58:
John Blackstone (Las Vegas, NV, USA)
has submitted a
full-page article about Samuel Reshevsky in the New
York Tribune, 21 November 1920 (page 5). Can a
clearer copy be found?
8443. Keene v Ritson Morry
Pages 215-232 of Curse of Kirsan by Sarah Hurst
(Milford, 2002) have an interview with Raymond Keene. From
page 220:
Readers with access to the 1971 BCM will find
(September issue, pages 312-320) that W. Ritson Morry
wrote very differently. Firstly, most of his criticisms
about short draws concerned the players in general. For
example, from page 312:
Moreover, what Mr Keene told Sarah Hurst about his game
against Holt bears little relation to what Ritson Morry
actually wrote in the BCM (page 314):
Pursuing his mendacious vendetta against Ritson Morry, Mr
Keene misled readers of chessgames.com (as so often), in a
posting
dated 23 September 2006:
‘in fact i started out as a very positional player
indeed and i made a conscious effort to improve my
tactics. a lot of the whingeing about my style was from
people like ritson morry who had their own axes to
grind-i write about this in my forthcoming book on
petrosian-in the context of the criticisms levelled
against petrosian in the soviet press after the 1956
candidates tournament.
for example i won the woolacombe international in
1973-the strongest all play all outside hastings in the
uk for many years-and in his bcm report ritson morry
failed to give any of my wins and only mentioned in
passing that i had won the event! the british
championship i won included several games of huge length
-one over 120 moves- but i was of course criticised by
ritson morry for lack of fighting spirit! he was so far
off the truth then that there was an outcry and the
decline of his influence over the bcm dates from that
point.’
It is true that Ritson Morry’s tournament reports did not
praise Mr Keene, but that can hardly justify the way the
latter banged on about the matter on page 7 of Petrosian
vs
the Elite (London, 2006):
Any reader who consults Ritson Morry’s report (BCM,
November 1973, pages 463-467) will find the following:
- ‘international tournament’: only two of the ten
players (Cardoso and Bilek) were not from Great Britain.
(The BCM report stated that the tournament was
‘on known ratings, at least Category 5’.)
- ‘a report which more or less failed to mention me’:
on page 464 of the BCM there was a complete
crosstable, and in Ritson Morry’s report Mr Keene’s name
appeared a further nine times on the same page.
- ‘apart from publishing my only loss’: the
report also gave Mr Keene’s win against Hutchings.
Addition on 16 May 2021:
Despite the above rebuttal, Raymond Keene repeated his
same falsehoods in an Article
piece dated 8 May 2021:
‘After winning the British Championship in 1971,
reports by an influential writer of the day (whose name
I shall withhold, according to the formula: de
mortuis nihil nisi bonum) referred to my lack
of fighting spirit, when I had actually made speculative
and unsound sacrifices to force events and gone through
multiple adjournments with games lasting for days and
over 100 moves. The same, at least in my opinion,
talent-free critic went even further when I won the
international tournament at Woolacombe in 1973, writing
a report which more or less failed to mention me, apart
from focusing attention on my only loss! In the West,
this kind of idiocy is irritating, annoying even, but
not much more. In the paranoia-laden atmosphere of
Soviet officialdom, adverse critique from an established
quarter could be career or even life-threatening.’
8444. Internet booksellers (C.N. 8225)
Our reference to Chess for Laughs by Joel
Rothman in C.N. 8438 prompts Avital Pilpel (Haifa, Israel)
to point out that Amazon.com
has two private booksellers offering second-hand copies,
at $4,215.00 and $8,787.22 (plus, in each case, $3.99 for
shipping).
A number of interesting photographs,
including one featuring Magnus Smith, can be viewed at
the Libraries
and
Archives
Canada website.
Dan Scoones (Port Coquitlam BC, Canada) recalls that
after Reinfeld died Al Horowitz’s column in the New
York Times commented that Reinfeld infused
unflagging interest into whatever he wrote.
To complement C.N.s 5906 and 5937, we give below the
full article, from page 26 of the 15 June 1964 edition
of the New York Times:
8447.
Learn Chess Fast! (C.N. 8431)
Michael Clapham (Ipswich, England) mentions that the
first US edition of the Reshevsky/Reinfeld book Learn
Chess Fast! (published by David McKay Company,
Philadelphia in 1947) had the ‘60 centuries’ version with
regard to the history of chess.
When preparing C.N. 8431 we were unable to trace an
edition of the book which, according to Douglas A. Betts’
bibliography (page 116), was issued by Pitman in 1948. Our
UK edition was published by Hollis and Carter, London in
1952.
Mr Clapham comments:
‘Betts states that the book was “issued” by Pitman
rather than published by that company, and it is
possible that Pitman imported the McKay books and
distributed them in the United Kingdom. Pitman also
“issued” Chess by Yourself by Fred Reinfeld
(Betts 11-41). My copy of the latter was published by
McKay (copyright date: 1946) but was almost certainly
issued in England as it has the CHESS, Sutton
Coldfield sticker.
Another US book imported and issued/published by
Pitman was Chess Marches On! by Reuben Fine,
published by Chess Review, New York in 1945. My copy
has Chess Review on the spine, but the original title
page has clearly been removed and replaced with
another including the imprint of Sir Isaac Pitman.
A brief review of Learn Chess Fast! was
published on page 269 of the August 1948 issue of CHESS,
mentioning both McKay and Pitman. The book is also
included in various advertisements for Pitman books
and on dust-jackets of the company’s
books, such as Walter Korn’s The Brilliant Touch
(London 1950):’
Below is the title page of one of our copies of the first
(1942) edition of The Immortal Games of Capablanca
by Fred Reinfeld, with a ‘Distributed by Pitman’ sticker:
The article below by G.H. Diggle was published in the
December 1983 Newsflash and on pages 106-107 of
Chess Characters (Geneva, 1984):
‘This Christmas marks the 125th anniversary of a
match which caused a tremendous stir in Paris, and
indeed throughout Europe, the opponents being Paul
Morphy, aged 21, the “unstoppable” prodigy of the New
World, who for six hectic months had carried all
before him, and the last hope of the Old, Professor
Adolf Anderssen, aged 40, winner of the first
international tournament of 1851. Yet no great match
before or since has been played with such chivalry,
such lack of formality or such complete absence of
diplomacy. There were no stakes, no time-limit, and no
conditions except that the match was to go to the
winner of the first seven games. The “seconds” were no
more than privileged witnesses especially invited to
the Hôtel de Breteuil. The match indeed would have
been played in public at the Café de la Régence (a few
hundred yards away) but Morphy’s doctor said “No”. The
young American had been ill in bed with intestinal
influenza for a whole fortnight, and actually had to
be helped downstairs when, after the start had been
held up for three days, the contest began in a private
room in the presence of St. Amant, de Rivière,
Journoud, Preti, Carlini, Edge, James Mortimer and Dr
Johnston, Paris correspondent of the New York
Times. Down the street at the Régence, “the
greatest excitement prevailed”, and a large
cosmopolitan crowd followed the game on three boards,
a messenger carrying the moves from the hotel every
half-hour.
The 11 games of the match ( M. 7, A. 2, Drawn 2) were
played off in only nine days (20-28 December) two
games being played on 23rd, 25th and 27th with one
blank day (26th). Anderssen (ignoring the
remonstrances of his own countrymen) gave up his
Christmas holiday to the match, and travelled in
mid-winter 600 miles each way to play – Morphy
insisted on paying all his expenses. The great German
master opened with a win and a draw, but then Morphy
took complete charge and scored the next five games
running. The eight-hour sixth game (like the great
13th game between Fischer and Spassky) virtually
decided the match – Anderssen with the score 3-1-1
against him had made a great effort, but missed his
way just at the end. In the ninth game he was
brilliantly slaughtered in “scarcely half an hour”,
but rallied bravely in the tenth (played immediately
afterwards), which he scored after a “long and trying
endgame”. “Mr Morphy wins his games in 17 moves, while
I take 77”, said the philosophical Professor. But the
end came next day with a seventh American victory, and
the two great players parted on excellent terms, never
to meet again.
Press coverage of the match, in the hands of such
excitable Morphy fans as Fred Edge and the more
likeable old French journalist Alphonse Delannoy,
makes rollicking reading. According to the fanatical
Fred, Anderssen “would sit at the board, examining the
frightful positions into which Morphy had forced him,
until his whole face was radiant with admiration of
his antagonist’s strategy and, positively laughing
outright, he would commence resetting the pieces for
another game”. Delannoy surpasses even this. At the
Régence, after Anderssen had won the first game, “no
description of the passionate and frantic boastings of
the Germans can be made. ... They opened their purses,
put out gold and bank-notes. ... They doubled, tripled
their bets in the proportion of two, three and five to
one”. Later on, when Morphy turned the tables, “the
despair and astonishment which ensued after the battle
of Jena are only frous-frous and meows of cats
compared to the thundering noise, energetic oaths and
the outbursts with which La Régence was then stunned.”
This was “vintage Delannoy” at its fizziest, but the
best account of the match, of course, is in the late
David Lawson’s fine work on Morphy.’
8449. ‘Genug
des Stumpfsinns, Remis!’ (C.N. 8437)
Charles Milton Ling (Vienna) asks whether a reliable
source is available in support of his recollection that
the phrase ‘Genug des Stumpfsinns, Remis!’
(‘Enough tedium, draw!’) has been attributed to Richard
Teichmann, who wished to attend a wrestling event rather
than play chess.
We can offer a passage about Teichmann from page 58 of Ein
Rundflug durch die Schachwelt by Rudolf Spielmann
(Berlin and Leipzig, 1929):
‘In einer Wettkampfpartie mit Sämisch begab sich
folgendes: Etwa 15 Züge waren geschehen. Sämisch
glaubte nach allen Regeln moderner Schachkunst eine
aussichtsreiche Stellung erlangt zu haben und war eben
eifrig dabei, einen geeigneten Schlachtplan
auszuhecken. Während er angestrengt nachdenkt, zieht
plötzlich Teichmann die Uhr, steht auf, schiebt die
Steine zusammen und bemerkt einfach: “Genug des
Stumpfsinns, Remis!” Empfiehlt sich und geht in den
Zirkus. Er war höchste Zeit, denn die Ringkämpfe
hatten eben begonnen!’
Is it possible to find a match-game between Teichmann and
Sämisch which fits this account (i.e. after about 15 moves
Sämisch had an apparent advantage, but Teichmann suddenly
broken off the game as a draw since he wished to watch
wrestling at the circus)?
Page 43 of the February 1922 Deutsche Schachzeitung
reported that a brief match between the two masters had
taken place in Berlin. Teichmann won with one victory and
three draws.
The death of Mikhail Kalashnikov on 23 December 2013
prompts us to ask when the opening 1 e4 c5 2 Nf3 Nc6 3
d4 cxd4 4 Nxd4 e5 5 Nb5 d6 first bore his name, and why.
We timidly open the bidding by noting that on page 25
of the April 1991 CHESS, in an article by Ian
Rogers, a game between Solomon and Gausel in the 1990
Olympiad in Novi Sad was headed ‘Sicilian Kalashnikov’.
Page 479 of the October 1991 BCM mentioned a
monograph by Jeremy Silman, The Neo-Sveshnikov,
and commented:
‘The line 4 Nxd4 e5 5 Nb5 d6, known jocosely as
“Kalashnikov”, has a band of followers of repute.’
Neil McDonald’s 1995 book on the opening has nothing of
direct relevance to the origins of the name
‘Kalashnikov’.
8451. Nimzowitsch v Alapin
Concerning the celebrated Nimzowitsch v Alapin
miniature, Randall K. Julian (Zionsville, IN, USA)
observes that there are databases which give the opening
as a Sicilian Defence, and not a French Defence: 1 e4 c5 2
Nf3 Nf6 3 Nc3 d5 4 exd5 Nxd5 5 d4 e6 6 Nxd5 Qxd5 7 Be3
cxd4 8 Nxd4 a6 9 Be2 Qxg2 10 Bf3 Qg6 11 Qd2 e5 12 O-O-O
exd4 13 Bxd4 Nc6 14 Bf6 Qxf6 15 Rhe1+ Be7 16 Bxc6+ Kf8 17
Qd8+ Bxd8 18 Re8 mate.
What are the origins of this version of the game-score?
From Christian Sánchez (Rosario, Argentina):
‘Chapter II of Notas ajedrecísticas by
Amador Guerra and Jaime Baca Arús (Havana, 1937)
deals with the “Concept of Development” by
enumerating the definitions given by a number of
chess writers, such as Brinckmann, Nimzowitsch,
Tarrasch, Grau, Capablanca, Lasker and Réti
(including the order in which the pieces should be
deployed). From page 22:
“... al antiguo ‘Sortez les pièces’ ya enunciado en
el siglo XVIII” [“... the old ‘Sortez les
pièces’, formulated as early as the eighteenth
century”].’
We should like to trace particularly early occurrences
of the French advice, expressed in either the imperative
(Sortez) or the infinitive (Sortir).
A comment by John Nunn in his introduction to Vaganian
v Sokolov, Bled/Rogaška Slatina, 1991 on page 29 of Sokolov’s
Best
Games by Ivan Sokolov (London, 1997):
‘When I was young, I had a beginner’s book which
included a diagram showing the “ideal development” one
should be aiming for in the opening. This consisted of
d4, e4, Nc3, Nf3, Bc4, Bf4, O-O, Qd2 and rooks to the
centre. The fact that the diagram showed Black’s
pieces still on their original squares might explain
why I was never able to achieve this “ideal
development” in my own games. Whenever I see the
opening system which Sokolov employs in this game [1
c4 e5 2 Nc3 Nf6 3 Nf3 Nc6 4 g3 Bc5 5 d3 O-O 6 Bg2 d6 7
O-O h6 8 a3 a5 9 e3 Bf5 10 b3 Qd7], I am reminded of
that old beginner’s book. With the exception of ...d5,
Black plays virtually all the “ideal developing” moves
and it hardly seems likely that this rather naïve
system is going to be effective against a
sophisticated flank opening, but it is more potent
than one might expect.’
There may be a number of books with such a diagram. One
that we have found is Chess A New Introduction
by John Love (London, 1967). From page 63:
As noted in A Publishing Scandal, in
1980 Love’s book was re-issued by Coles Publishing Company
Limited, Toronto under the title Teach yourself Chess
without his permission or even knowledge.
8454. The knight’s move
An imminent addition to The
Knight Challenge is FIDE’s
definition of the knight’s move, which Sven
Mühlenhaus (Düsseldorf, Germany) appreciates for its
concision:
‘The knight may move to one of the squares nearest to
that on which it stands but not on the same rank, file
or diagonal.’
From page 313 of the 1843 Chess Player’s Chronicle:
‘There is a French proverb which says, “If you would
win a damsel’s heart, always lose to her at chess”.
This is probably founded on an anecdote concerning
Count Ferrand of Flanders, whose wife conceived so
mortal a hatred to him from their misunderstandings
over the chessboard that when he was taken prisoner at
the battle of Bovines she suffered him to remain in
durance for a long time, though she might have easily
procured his release.’
See too page 198 of the 1868 Chess
World. As previously noted, the entire field of chess proverbs is murky.
Joose Norri (Helsinki) points out the first note by
John van der Wiel in his game, as Black, against Nigel
Short at the 1988 Olympiad in Thessaloniki:
Source: New in Chess, 1/1989, page 35.
8457. Sketches and photographs
The Center for Jewish
History has a number of sketches of leading masters
by Emery Gondor. They are dated 1922.
A search for ‘Lasker’ also yields some interesting
illustrations, including a fine version of the photograph
of Edward Lasker and Emanuel Lasker at the board (given in
the Dover reprint of the New York, 1924 tournament book,
although not in the original edition).
[Link and text amended on 15 March 2024.]
Hassan Roger Sadeghi (Lausanne, Switzerland) has found
two webpages which provide information about H.N.
Pillsbury’s wife, née Mary Ellen Bush:
WikiTree:
Mary Ellen ‘Mamie’ Shearf, born about March 1872 in
Sullivan County, NY, the daughter of Albert J. Bush and
Charlotte V. (Horton) Pelton, the other children being
William H., Henrietta T. Gillespie, Etta and Elvin W.
She married Henry D[uBois] Southard in Monticello, NY on
8 October 1890, Harry Nelson Pillsbury in Chicago, IL on
17 January 1901, and Frank Shearf (place and date
unknown).
Archives
database: Mary B. Shearf was aged 67 at the time
of the 1940 US census, and was living at Somers Point,
Somers Point City, Atlantic, NJ. The other members of
the household were her husband, Frank Shearf, aged 66,
and Alberta Shearf, aged 11.
We can add that the 1920 US census does not list Mary
Shearf’s husband but states that the couple had a
daughter, Ruth, born around 1912 in Pennsylvania. She
appeared in the 1930 census under the name Ruth Chaffett
(‘widowed’), and a 1/1½-year-old daughter, Alberta
Chaffett, was also mentioned.
8459. Milan Vukcevich
Our chess prodigies
article focuses on players and problemists predating the
Second World War, but Steven B. Dowd (Birmingham, AL, USA)
notes the particularly interesting case of Milan
Vukcevich, who was born in 1937, learned to play
chess at five and entered his first tournament at ten.
Mr Dowd informs us that the first problem by Vukcevich
that he has found is a helpmate in two (i.e. Black moves
first, and White mates on his second move) in the 2/1949 Šahovski
vjesnik:
Another explanation to be added to The Knight Challenge:
‘The knights move in a letter L one square
orthogonally in one direction and then two squares
orthogonally at right angles to the first move, or two
squares orthogonally in one direction and then one
square at right angles to it.’
Source: Page 11 of the original (Aylesbury, 1976) edition
of Discovering Chess by R.C. Bell (‘R.C. Bell MB
FRCS’).
From the book’s glossary (pages 4-9):
- ‘Check: When a king is attacked the opponent
must call check.’
- ‘Command: A square is commanded when any piece
moved on to it may be captured.’
- ‘En passant: The capture of a pawn moving two
squares on its initial move, by an opposing pawn that
has been passed.’
- ‘Middle game: This begins when theoretical
analysis of the opening becomes impossible and ends when
the force on each side is reduced to a state when
analysis again becomes possible.’
- ‘Protect: Interposing a piece between one in
danger and the attack.’
- ‘Smothered mate: A king unable to move for his
own men and checkmated by a knight.’
The first of the three diagrams in the ‘End games’
section:
Has there ever been a more elementary ‘analytical error’
in a chess book?
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