Chess Notes
Edward
Winter
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7794. Graves of Steinitz and Lasker
Further to the article Graves
of
Chess Masters, Alexander Rietema (Fort Lee, NJ, USA)
has forwarded some photographs, which he took in late
September/early October 2006, of the graves of Steinitz
(Brooklyn, NY) and Lasker (Queens, NY):
It will be noted that the year of birth is incorrect.
7795. Zukertort v Steinitz
Page 22 of the booklet Schach WM 2008 Deutschland
has a photograph of Zukertort and Steinitz which was new
to us, and we are grateful to Michael Negele (Wuppertal,
Germany) for the opportunity to present it here:
Mr Negele found the photograph in the archives of the
Cleveland Public Library in 2007. Although the booklet
states that it was taken in 1886, our correspondent
suggests that the occasion was Brunswick, 1880, a
tournament which, as stated on page 235 of the August 1880
Deutsche Schachzeitung, both Zukertort and Steinitz
visited.
J.H. Zukertort
W. Steinitz
7796. Alekhine simultaneous games in
France
Dominique Thimognier (Fondettes, France) has found the
following games:
Alexander Alekhine – Cercle Rouennais des Echecs
Paris, 28 February 1932 (simultaneous display against 60
teams/300 players)
Queen’s Gambit Declined
1 d4 Nf6 2 Nf3 e6 3 c4 d5 4 Nc3 c6 5 Bg5 Nbd7 6 e4 dxe4 7
Nxe4 Bb4+ 8 Nc3 Qa5 9 Bd2 O-O 10 Bd3 Qd8 11 O-O Re8 12 Qc2
Nf8 13 Rad1 b6 14 a3 Be7 15 Rfe1 Bb7 16 b4 c5 17 dxc5 Bxf3
18 gxf3 bxc5 19 Bf4 Qb6 20 b5 Red8 21 Ne4 Ng6 22 Bg3 Rd4
23 Bf1 e5 24 Nc3 Bd6 25 Ne2 Rxd1 26 Rxd1 Bc7 27 Nc3 Qe6 28
Ne4 Qe7 29 Qa4 Nh5 30 Qa6 Bb6 31 Nc3 f5 32 Nd5 Qd8 33 Nxb6
Qxb6 34 Rd6 Qb8 35 Bd3 Qf8 36 Rd7 Nhf4 37 Bf1 Qc8 38 Qxc8+
Rxc8 39 Rxa7 Ne6 40 Bh3 Rd8 41 b6 Nd4 42 b7 Nxf3+ 43 Kf1
f4 44 Ra8 Nd2+ 45 Ke2 Resigns.
Source: Journal de Rouen, 17 March 1932.
Alexander Alekhine – Cercle Rouennais des Echecs
Paris, 28 February 1932 (simultaneous display against 60
teams/300 players)
Vienna Game
1 e4 e5 2 Nc3 Nc6 3 Bc4 Bc5 4 Qg4 g6 5 Qg3 Nf6 6 d3 Nh5 7
Qf3 Qf6 8 Nd5 Qxf3 9 Nxf3 Bb6 10 g4 Ng7 11 Bh6 Ne6 12 c3
d6 13 Nf6+ Ke7 14 Nd5+ Ke8 15 b4 Ncd8 16 a4 c6 17 Nxb6
axb6 18 d4 exd4 19 cxd4 b5 20 Bb3 Nc7 21 h3 Be6 22 Bc2
bxa4 23 Rxa4 Rxa4 24 Bxa4 b5 25 Bc2 Kd7 26 Kd2 Bc4 27 Ra1
Nde6 28 Ke3 Ra8 29 Rxa8 Nxa8 30 Nd2 Ba2
31 f4 Nac7 32 f5 Nd8 33 Nf3 f6 34 fxg6 hxg6 35 h4 Nf7 36
Bf4 Be6 37 g5 fxg5 38 hxg5 Na6 Drawn.
Source: Journal de Rouen, 31 March 1932.
Alexander Alekhine – Cercle Rouennais des Echecs
Rouen, 29 May 1932 (clock simultaneous display against
six teams)
Alekhine announced mate in five moves.
Source: Journal de Rouen, 9 June 1932.
The solution was given in the following week’s edition:
51 Kg8 Ne5 52 bxa5 b4 53 a6 b3
54 axb3, followed by 55 Bg7 mate.
Alexander Alekhine – Three members of the Cercle
Rouennais des Echecs
Rouen, 29 May 1932 (clock simultaneous display against
six teams)
Queen’s Gambit Declined
[1 d4 d5 2 c4 e6 3 Nc3 Nf6 4 Bg5 Nbd7 5 Nf3 c6 6 e4] dxe4
7 Nxe4 Qa5+ 8 Nc3 Bb4 9 Bd2 O-O 10 a3 Be7 11 Nd5 Qd8 12
Nxe7+ Qxe7 13 Bd3 e5 14 O-O exd4 15 Nxd4 Qd6 16 Bb4 c5 17
Nf3 Qc7 18 Bc3 Re8 19 Re1 Rxe1+ 20 Qxe1 Kf8 21 Rd1 b6
22 Bxh7 Bb7 23 Bf5 Bxf3 24 gxf3 Re8 25 Qd2 Ne5 26 Bxe5
Qxe5 27 Qd6+ Qxd6 28 Rxd6 Re2 29 b4 cxb4 30 axb4 Re5 31
Bh3 Nh5 32 Kf1 Nf4 33 Bc8 Rh5
34 h3 Nxh3 35 Bg4 Rh4 36 Rd8+ Ke7 37 Rd7+ Kf6 38 Rxa7 Nf4
39 Ke1 Nd3+ 40 Ke2 Ne5 41 Rc7 Nxg4 42 fxg4 Rxg4 43 b5 Re4+
44 Kd3 Re6 45 c5 bxc5 46 Rxc5 Rd6+ 47 Kc3 Ke6 48 Rc7 Rd7
49 Rc4 Ke7 50 Kb4 Kd6 51 b6 Kd5 52 Kb5 g6 53 Rc7 Resigns.
Source: Journal de Rouen, 23 June 1932. The
opening moves were garbled in the newspaper, and the
sequence suggested in square brackets above is merely one
of a number of possible corrections.
Alexander Alekhine – Charles Dupin
Lille, 3 July 1932 (simultaneous display against 32
players, including two blindfold games)
Queen’s Gambit Declined
1 d4 d5 2 c4 e6 3 Nc3 c6 4 Nf3 Nf6 5 Bg5 Nbd7 6 e4 dxe4 7
Nxe4 Be7 8 Nc3 Qc7 9 Qc2 h6 10 Bh4 e5 11 O-O-O exd4 12
Rxd4 O-O13 Bg3 Qa5 14 a3 a6 15 Bd6 Re8 16 Bxe7 Rxe7 17 Bd3
Nf8 18 Rf4 Nh5 19 Rh4 Ne6 20 Re1 Nf6 21 Re5 b5 22 c5 Nd7
23 Re2 Ndxc5 24 Bh7+ Kf8 25 Kb1 Nd7 26 Ne4 Qc7 27 Ng3 Nf6
28 Nf5 Re8 29 Qc3 Nxh7 30 Rxh6 Kg8 31 Ne5 Nf4
32 Nd7 Resigns.
Source: Journal de Rouen, 21 July 1932.
Alexander Alekhine – Pierre Biscay, Marcel Berman and
Marcel Duchamp
Paris, 15 June 1935 (simultaneous display against 36
teams)
Sicilian Defence
1 e4 c5 2 d4 cxd4 3 Nf3 Nc6 4 Nxd4 Nf6 5 Nc3 d6 6 Bg5 Qb6
7 Bxf6 gxf6 8 Nb3 e6 9 Qf3 Be7 10 O-O-O a6 11 Qg3 Bd7 12
Qg7 O-O-O 13 Qxf7 Qxf2 14 Qh5 Rdg8 15 h4 Ne5 16 Kb1 Be8 17
Qh6 Rg6
18 Qc1 Rhg8 19 Nd4 Bf8 20 b3 Rg3 21 Nce2 Re3 22 g3 Bh5 23
Rh2 Qxh2 24 Qxe3 Bg4 25 Rd2 Qh1 26 Qf2 Nf3 27 Nxf3 Qxf3 28
Qg1 Qxe4 29 Qa7 Bxe2 30 Bxe2 Bh6 31 Rd4 Qh1+ 32 Rd1 Qe4 33
Qa8+ Kc7 34 Qxg8 Qxe2 35 Qxh7+ Kc6 36 Qd3 Qe5 37 g4 Bg7 38
Qd4 f5 39 Qxe5 dxe5 40 g5 e4 41 h5 e3 42 h6 Bf8 43 Rh1 f4
44 Kc1 f3 45 Kd1 Bb4
46 c3 Bxc3 47 Kc2 e2 48 Kxc3 f2 49 White resigns.
Source: Journal de Rouen, 20 June and 4 July
1935.
Alexander Alekhine – Marcel Berman
Rouen, 14 March 1937 (simultaneous display against 35
players)
Alekhine’s Defence
1 e4 Nf6 2 Nc3 d5 3 e5 Nfd7 4 e6 fxe6 5 d4 c5 6 Nf3 cxd4
7 Nxd4 Nf6 8 Bb5+ Nc6 9 Nxc6 bxc6 10 Bxc6+ Bd7 11 Bxa8
Qxa8 12 O-O g6 13 Qe2 Bg7 14 Nb5 O-O 15 Be3
15...Qb7 16 a4 a6 17 Nd4 e5 18 Nf3 Bg4 19 h3 Bh5 20 Qd2
Ne4 21 Qa5 Bxf3 22 gxf3 Rxf3 23 Qd8+ Kf7 24 Kh2 d4 25 c3
dxe3 26 fxe3 Qxb2+ 27 Kg1 Rxf1+ 28 Rxf1+ Nf6 Drawn.
Source: Journal de Rouen, 27 March 1937.
Alexander Alekhine – Thierry
Rouen, 14 March 1937 (simultaneous display against 35
players)
Queen’s Gambit Accepted
1 d4 d5 2 c4 dxc4 3 Nf3 Bf5 4 Nc3 e6 5 e4 Bg6 6 Bxc4 Nf6
7 Qe2 Bb4 8 Bd3 O-O 9 O-O Nbd7 10 Rd1 c6 11 Bg5 Be7 12 e5
Bxd3 13 Rxd3 Nd5 14 Bxe7 Qxe7 15 Qd2 Nxc3 16 bxc3 Rad8 17
h3 Nb6 18 a4 f6 19 a5 Nc4 20 Qa2 fxe5 21 Qxc4 e4 22 Re3
exf3 23 Qxe6+ Qxe6 24 Rxe6 fxg2 25 Kxg2 Rd5 26 a6 Kf7 27
Re3 b6 28 Rae1 Rd7 29 Re6 Rc7 30 Rd6 Re8
31 Re3 Rxe3 32 fxe3 Ke7 33 White resigns.
Source: Journal de Rouen, 24 April 1937.
7797. Thomas v Klein (C.N. 7732)
Bruce Hayden also supplied the Thomas v Klein miniature
to Assiac for publication. See pages 51-52 of Assiac’s
book The Delights of Chess (London, 1960), which
stated that ‘the game was played at “lightning speed” (in
less than ten minutes)’.
Regarding the Dover edition of The Delights of
Chess (New York, 1974), we own a copy inscribed by
Assiac to Jana and Tony Miles:
As reported in C.N. 4313, Fred Reinfeld’s remark ‘the
pin is mightier than the sword’ was ascribed to him
under the chapter heading on page 7 of Winning Chess
(New York, 1948), a work which he co-authored with
Irving Chernev.
The book was published in or around May 1948 (see page
3 of the 20 May 1948 Chess Life), and a slightly
earlier occurrence of the quip can now be offered:
Source: page 147 of Reinfeld’s Nimzovich the
Hypermodern (Philadelphia, 1948). The book was
reviewed on page 2 of the 5 March 1948 issue of Chess
Life.
From page 89 of the Chernev/Reinfeld book Winning
Chess (mentioned in the previous item):
A quote published on page 186 of Combinations The
Heart of Chess (New York, 1960) by Irving Chernev:
No source was given, but the observation comes from an
article by Tartakower on pages 362-363 of the December
1954 Chess Review:
The Keres v Tartakower game was discussed by Fischer on
page 172 of the July-August 1963 Chess Life:
In the diagram White’s bishop is missing from c4.
In his previous article (Chess Life, June 1963,
page 142) Fischer mentioned that he had been reading
Keres’ ‘recent book of his best games (in Estonian)’.
Below is the relevant note in the Keres v Tartakower
game, from page 381 of that work, Valitud partiid
1931-1958 (Tallinn, 1961):
The position before Fischer’s discovery, 18...Kh7:
7802.
Keres photographs
Below are two photographs from Valitud partiid 1931-1958
by Paul Keres (Tallinn, 1961), pages 37 and 201:
Paul Keres v Savielly Tartakower,
Kemeri, 1937
Paul Keres v Alexander
Alekhine, Prague, 1943
Olimpiu G. Urcan (Singapore) has found on page 40 of
the Colorado Springs Gazette, 19 March 1922 an
uncropped version of the photograph given in C.N. 6583,
and he wonders whether a copy of better quality can be
traced.
Information about the whereabouts of chess busts,
including those shown in C.N. 6583, will be welcome.
From a 54-board simultaneous display:
Herman Steiner – R.E. Prouty
Cleveland, 1949
‘Shilling Gambit’
1 e4 e5 2 Nf3 Nc6 3 Bc4 Nd4 4 Nxe5 Qg5 5 Bxf7+ Ke7 6
Bxg8 Qxg2 7 d3 Qxh1+ 8 Kd2 Qxh2 9 Ng4 Qf4+ 10 Kc3
10...Qxc1 11 Qxc1 Ne2+ 12 Kd2 Nxc1 13 Nc3 Rxg8 14 Nd5+
Kd8 15 Ne5 d6 16 Nf7+ Kd7 17 Ng5 Be7 18 Nxe7 Kxe7 19
White resigns.
Source: Chess Life, 5 March 1949, page 4.
7805. Where are the bad players?
Below is an article by G.H. Diggle from page 78 of Chess
Characters (Geneva, 1984). It was originally
published in the December 1981 Newsflash.
‘“Where have all the bad players got to nowadays?”, the
BM repeatedly moans whenever he attempts some disastrous
local reappearance. Sixty years ago there were dotted
around the provinces (either in small struggling clubs
or once a week in “private house soirées”)
players with only each other’s chess intellects to feed
on who would loyally stick to the game without improving
one iota through whole decades, like stone-deaf persons
regularly attending “the proms”. Alas, television has
largely exterminated “social chess”, and nearly all
these bygone stalwarts have now expired with their eyes
glued to the box instead of the board. Yet many of them
were characters of as great psychological interest as a
Fischer or a Korchnoi; for to imagine that
“psychological motifs” and whatnot are the exclusive
monopoly of grandmasters is to fall into the snobbish
fallacy of the Sergeant Major who (when a poor Private
reported sick with a “pain in the abdomen”) roared at
him: “You ’ave a stummick! Only orficers has abdomens!”
Brian Harley in Chess for the Fun of It recalls
a certain “Miss X” who frankly admitted that she never
had a plan. She was well content, she said, “to defend”.
Miss X’s defence took the form of placing a piece –
pretty well any piece would do – somewhere in the
neighbourhood of a piece just played by her opponent.
She would never make a capture unless it was a recapture
– such gifts were bound to be traps.
One of the BM’s earliest opponents was an eccentric but
versatile Spalding lady some 50 years his senior, who
for some fantastic reason was absolutely fascinated by
the names of the Openings and who would turn over the
pages of the BM’s MCO as though it were a
picture book. She would even get the BM to go through
with her the first three or four moves of any opening
with a name that particularly “turned her on”, such as
the Giuoco Piano or what she called the Kaiseritzky
Gambit. Her main chess ambition was not to win a game
(which she was shrewd enough to perceive would never
happen) but to play an opening with a good resounding
title, which gave her the same feeling of accomplishment
as that of a ballroom dancer who had just performed the
“Mayfair Quickstep” or the “Royal Empress Tango”. In her
quest for additional strings to her bow she once
discovered the “Max Lange” (16 columns including
innovations from Marshall and Tartakower) and on being
informed that Lange was a deceased nineteenth-century
Master remarked that “he must have had a brain to have
invented all that”. Between this lady and the BM there
was a sort of love-hate relationship, for the latter
being young and conceited would sometimes over-reach
himself trying to pull her leg. Thus she would say on
the fourth move: “Now, Badmaster, have I played the
Steinitz Defence?” “Have you played it, Mrs B.?”, the
falsely ecstatic Badmaster would exclaim, “Why, I’ve
never seen it played with such touch and interpretation
– just as the great Master himself would have played
it.” But though she could see through very little over
the board, she could see through the BM. “Badmaster, I
can dispense with your fawning embellishments. If you
can answer a plain question, do. If you can’t, shut
up.”’
7806. Four queens
1 e4 e5 2 Nf3 Nc6 3 Bc4 Nf6 4 d3 h6 5 Nc3 Bb4 6 O-O Bc5 7
Nd5 O-O 8 a4 a6 9 Be3 Bxe3 10 fxe3 d6 11 Nxf6+ Qxf6 12 Nd4
Qg5 13 Nxc6 bxc6 14 Qf3 Be6 15 Bxe6 fxe6 16 Qh3 Qe7 17 Rf3
Rf6 18 Raf1 Raf8 19 g4 d5 20 Qg3 d4 21 exd4 exd4 22 Rxf6
Rxf6 23 Rxf6 Qxf6 24 Qxc7 e5 25 Qc8+ Kh7 26 Qf5+ Kg8 27
Qxf6 gxf6 28 h4 Kf7
29 c4 dxc3 30 bxc3 Kg6 31 Kf2 h5 32 Kf3 Kh6 33 d4 hxg4+
34 Kxg4 exd4 35 cxd4 Kg6 36 h5+ Kf7 37 Kf5 Ke7 38 Kg6 Ke6
39 h6 Ke7 40 h7 Ke6 41 h8(Q) Ke7 42 Qxf6+ Kd7 43 Qf5+ Kd6
44 Qc5+ Kc7 45 Qa7+ Kd6 46 Qxa6 Kc7 47 a5 Kd6 48 d5 Kc5 49
Qxc6+ Kd4 50 d6 Ke5 51 d7 Kf4 52 d8(Q) Ke5 53 a6 Kf4 54 a7
Ke5 55 a8(Q) Kf4 56 Qab8+ Kg4 57 e5 Kf4 58 e6+ Ke3 59 e7
Kf2 60 e8(Q) Kf1 61 Qcc8
61...Kf2 62 Qf6+ Kg2 63 Qg4+ Kh1 64 Qh2+ Kxh2 65 Qeh8
mate.
This game has been added to the relevant feature article.
7807. Cheating
Information is still being sought on an alleged incident
related in C.N. 1263 (see page 14 of Chess
Explorations). In an article ‘Triche, triche et
colégram ...’ in Le Courrier (Geneva), 11
April 1986, Fernand Gobet gave the position below, which,
he said, was from ‘la partie Biélovski-Tcherniev il y
a quelques décades en URSS’:
Here, we are told, White played 1 c7-c8=black bishop,
after which 2 Nc7 mate cannot be prevented. Under shock,
Black at once resigned, forgetting that the rules require
a pawn to be promoted to a piece of the same colour.
From page 195 of Chess from Morphy to Botwinnik
by Imre König (London, 1951):
‘This game has become a classic. It is one of the few
early examples in which no improvement, either of
opening theory or execution of attack, has been
advanced.’
From one of our inscribed copies of the König book
mentioned in the previous item (in this case, the Dover
reprint of 1977):
7810. Rubinstein in Antwerp
From Hans Renette (Bierbeek, Belgium):
‘At the end of 1926, just after a tournament in
Berlin, A. Rubinstein and his family moved to Belgium,
where they took up permanent residence. In early
December 1926 they arrived in Antwerp.
In those days, every foreign citizen who spent time
in Antwerp received a visit from the local police. A
file was opened, in which the police recorded
information about the family’s situation and the
professional activities of any foreign visitor. These
documents have been preserved in the city archives of
Antwerp, as part of the police archives. In
cooperation with Familysearch.org,
the indexes have been digitized and can be consulted
online (“Antwerp Police Immigration Index,
1840-1930”).
A report on the interview with Rubinstein by the
Antwerp police is dated 17 December 1926. He declared
that he had arrived in the city on 4 December 1926 and
gave his previous address as Brinkmanstrasse 5,
Berlin. In Antwerp the Rubinsteins lived in the
Taverne Old Tom hotel, De Keyzerlei 53, the main
street leading from the railway station.
The police documentation includes a brief overview
of the Rubinstein family. His father, Akiwa, was born
in Grajewo, Poland and was deceased. His mother,
Reisel Denenburg, was 80 years old and lived in
Jerusalem. Rubinstein was in Antwerp with his wife Eni
Lew (born in Szczuczyn, 16 June 1893) and their only
child, Jakob (born in Szczuczyn on 24 January 1918).
The couple had married in that city on 30 March 1917.
Asked about his professional activities, Rubinstein
stated that he was a chess teacher. The police report
also mentioned that he had no fixed income.
The police report came to the attention of the
“Public Security” section of the Ministry of Justice.
On 21 February 1927 the Ministry sent the police a
request for more information. It seems that
Rubinstein’s address in Berlin was checked and that
his residence there was unknown to the German
authorities. (In this connection, the second entry for
Rubinstein in Where
Did They Live? may be noted.)
A reply to the Ministry was written by the police on
27 February 1927. It stated that the Rubinsteins had
left the hotel, having been there from 4 December 1926
until 3 January 1927. During the Rubinsteins’ stay,
the police said, there had been no complaints about
their behaviour. No further information had been
obtained about their means of subsistence, and the
police did not know where the family had gone.’
Pierre Bourget (Quebec, Canada) asks about the exact
origins of the remark that Rubinstein’s endgame skill
was such that 300 years ago he would have been burned
for witchcraft.
The observation appeared on page 82 of the Carlsbad,
1929 tournament book by Nimzowitsch, Spielmann, Becker,
Tartakower, Brinckmann and Kmoch, in the introduction to
the fourth-round games and in connection with Mattison v
Rubinstein:
From page 10 of the January 1951 Chess Review,
in an article entitled ‘Only a Draw’ by Hans Kmoch and
Fred Reinfeld:
‘It was Kmoch who wrote in the Book of the Carlsbad
1929 Tournament about one of Rubinstein’s most magical
endings (against Mattison) that, if Rubinstein had
lived in an earlier age, he would have been executed
for witchcraft.’
Source: opposite page 26 of Witches
and
Warlocks by P.W. Sergeant (London, 1936)
On page 34 of the February 1935 Chess Review
Irving Chernev wrote in a ‘Curious Chess Facts’ column:
‘Rubinstein, playing a rook ending against Mattison,
extracted a win from such a “hopelessly drawn”
position that the editors of the tourney book united
in the assertion that had this occurred 300 years ago,
Rubinstein would have been burned as being in league
with evil spirits.’
Chernev used a slightly different wording on page 58 of
his book Curious Chess Facts (New York, 1937):
‘Rubinstein, playing a rook and pawn ending against
Mattison, extracted a win from such a “hopelessly
drawn” position that the editors of the tournament
book united in the assertion that had this happened
300 years ago, Rubinstein would have been burned at
the stake for being in league with evil spirits.’
Below are three instances of Chernev’s text being
copied (without attribution, of course):
‘At Carlsbad, 1929 Rubinstein extracted a win from
such a “hopelessly drawn” rook and pawn ending that
the editors of the tournament book united in the
assertion that had this happened 300 years ago
Rubinstein would have been burned at the stake for
being in league with evil spirits.’
Source: page 15 of New Ideas in Chess by Larry
Evans (New York, 1958).
‘At Carlsbad, 1929 Rubinstein extracted a win from
such a “hopelessly drawn” rook-and-pawn ending that
the editors of the tournament book united in the
assertion that had this happened 300 years earlier
Rubinstein would have been burned at the stake for
being in league with evil spirits.’
Source: page 133 of Chess Catechism by Larry
Evans (New York, 1970).
‘At Carlsbad, 1929 Rubinstein extracted a win from
such a “hopelessly drawn” rook-and-pawn ending that
the editors of the tournament book united in the
assertion that had it happened 300 years ago he would
have been burned at the stake for being in league with
evil spirits.’
Source: pages 19-20 of Modern Chess Brilliancies
by Larry Evans (New York, 1970).
7812.
Gyula
Breyer (C.N. 7471)
There is a dearth of good photographs of Gyula Breyer,
but a particularly fine one appears on page 161 of Schauspiel
des Geistes edited by Raj Tischbierek (Berlin,
2012). It is given below with the permission of Michael
Negele (Wuppertal, Germany), who found it (on a postcard,
dated 1919) in the Rueb scrapbooks at the Royal Library in
The Hague:
7813. Sozin and the Meran Defence
The above comes from page 69 of part three of Max Euwe’s
Theorie der Schach-Eröffnungen (Berlin-Frohnau,
1966) and has been forwarded by Luca D’Ambrosio (Bolzano,
Italy), who asks about Sozin’s exact involvement in the
history of the move 11...Nxe5 (after 1 d4 d5 2 c4 c6 3 Nf3
Nf6 4 Nc3 e6 5 e3 Nbd7 6 Bd3 dxc4 7 Bxc4 b5 8 Bd3 a6 9 e4
c5 10 e5 cxd4 11 Nxb5).
We note that on page 165 of Championship Chess
(London, 1950) Botvinnik referred to 11...Nxe5 as ‘Sozin’s
rejoinder to Blumenfeld’s plan (11 KtxKtP)’. Annotating a
game against Reshevsky, Botvinnik wrote on page 274 of the
September 1955 Chess Review regarding 11...Nxe5:
‘Black’s witty, clever and safe continuation was found
by master B. Sozin 30 years ago.’
See also page 280 of the September 1955 BCM.
On page 139 of the September 1933 Schweizerische
Schachzeitung Ernst Grünfeld referred to 11...Nxe5
as ‘le fameux coup indiqué par l’analyste russe Sosin’.
An early game in which the move occurred was I. Rabinovich
v B. Verlinsky, Moscow, 1925. See pages 157-158 of
Bogoljubow’s tournament book.
Readers’ assistance with tracing further information
about Sozin and 11...Nxe5 will be appreciated.
The search for evidence about S. Lipschütz’s forename
continues. Eduardo Bauzá Mercére (New York, NY, USA) has
found the following on page 2 of the New York Daily
Tribune, 3 November 1883:
Good-quality photographs of the 1921 Lasker v
Capablanca match are scarce, and more details are sought
about the shot below, from page 175 of Grandmasters
of Chess by Harold C. Schonberg (Philadelphia and
New York, 1973):
7816.
Open to doubt
Further to Imre König’s remark about Morphy in C.N. 7808,
we add a comment by B.H. Wood from the Daily Telegraph
chess column of 8 March 1986 which was quoted in C.N. 1130
under the heading ‘Open to doubt’:
‘... you could go through any game by the legendary
Paul Morphy and find most of his moves from move six on
were not quite the best he could have made.’
From page 246 of the November 1937 Chess Review:
An observation by Emanuel Lasker on page 29 of Lasker’s
Chess
Magazine, November 1904:
‘The chess player is critical and discriminating in
his judgment of matters chessic, fastidious in his
tastes generally and artistic in his temperament. A
chess magazine to please him must therefore be
critical and discriminating in the contents of its
game, problem and analytical departments, fastidious
in its choice of literary contributions and artistic
both as to form and substance.’
7819. Best annotators (C.N. 2545)
In the hope of gathering further material, we reproduce
three quotes from C.N. 2545:
1) On page 271 of C.J.S. Purdy’s The Australasian
Chess Review, 31 October 1938 the following
appeared:
‘We consider Botvinnik the most brilliantly searching
annotator in the world – the ordinary junk written by
annotators doesn’t go down in Russia, where there are
thousands who can pull bad notes to pieces.’
2) A comment on Georg Marco:
‘Even when it took him four years to annotate a game,
as it sometimes did, his sense of humor was
irrepressible just the same.’
Source: page 171 of Great Moments in Chess by F.
Reinfeld (New York, 1963).
Evidence is still being sought regarding the amount of
time Marco devoted to annotating. See too C.N.s 4855 and
5248.
3) When asked to name the best annotator, Tartakower
replied (Wiener Schachzeitung, June 1929, page
169):
‘Kostić, who always pours out his soul, which is most
amusing and instructive.’
C.N. 2543 mentioned that Kostić was hardly illustrious as
an annotator, but that the exact point of Tartakower’s
apparent quip is unclear.
John Townsend (Wokingham, England)
notes a catalogue
entry for a photograph of Steinitz held by the Royal
Northern College of Music in Manchester (reference:
AB/235):
‘The date of this photograph was that on which the
sixth game of the Lasker match was played at the Union
Square Hotel, New York, after which the match moved to
Philadelphia. The back of the photo is signed as
follows: “Union Square Hotel, March 30th 1894 Yours very
truly W Steinitz To Professor A. Brodsky”.’
Having been shown the photograph by the College, we can
add that it is the frontispiece to The Steinitz Papers
by K. Landsberger (Jefferson, 2002), which reproduced it
courtesy of the College. Further details are provided on
the book’s imprint page (which gives the date as 20, and
not 30, March 1894).
We are grateful to the College for permission to show
here Steinitz’s inscription:
7821. L. Tauber
Wanted: details regarding Léonard Tauber, a prominent
figure in French chess in the first half of the twentieth
century. See, for instance, the references to him in our
book on Capablanca. One of his rare game-scores is a draw
which he and A. Aurbach secured against the Cuban in Paris
on 20 October 1913; on the same occasion Capablanca won
against J. Taubenhaus and N. Terestchenko. (Source: La
Stratégie, October 1913, page 416 and November 1913,
pages 451-453.)
Page 4 of the January-February 1938 American Chess
Bulletin noted that the double-round tournament in
Paris won by Capablanca ‘was arranged at the Salons
Caïssa, 6 rue de Presbourg, Paris from 5 to 16 January,
under the auspices of M. Tauber’.
Various webpages have information on Tauber’s involvement
with such Parisian establishments as the Hôtel
Regina, 2 Place des Pyramides (where the
recently-published Capablanca v Tartakower game was played
– see The Genius and
the Princess) and the Hôtel Raphael, 17 Avenue
Kléber. The latter’s website has a photograph of a terrace
with
a large chess set.
Jean-Michel Péchiné (Arbois, France)
points out a high-quality photograph of Labourdonnais’
death-mask.
Lame puns on players’ names are
depressingly commonplace (they require no skill,
knowledge, wit or thought), but we remain intrigued by a
remark, whether or not intentional, in an obituary
published on pages 166-167 of the April 1931 BCM:
‘He has probably conceded more drawn games when
having a positional advantage than any other chess
player.’
As mentioned on page 387 of Kings, Commoners and
Knaves, the obituary was of J.A.J. Drewitt.
7824.
István Abonyi
From page 52 of the March-April 1915 Wiener
Schachzeitung:
Marc Hébert (Charny, Canada) draws attention to an
article by Tartakower, ‘Chess in Paris’ on pages 74-75
and 96 of the March 1953 Chess Review. The first
page:
Further details about the various interesting points
made by Tartakower will be welcome.
Stephan A. Popel subsequently moved to the United
States and was on the front cover of the March 1958 Chess
Review:
From page 68 of the same issue:
With regard to the earliest appearance of the term
‘Dragon Variation’, Thomas Niessen (Aachen, Germany)
mentions that Tartakower referred to ‘Die
Drachenvariante’ in a note to Alekhine v Sämisch,
Vienna, 1922 (after 1 e4 c5 2 Nf3 Nc6 3 d4 cxd4 4 Nxd4
g6) on page 270 of Die hypermoderne Schachpartie
(published in instalments in 1924-25, as mentioned in
C.N. 5279).
Looking further into the matter, we can cite an
annotation by Heinrich Wolf on page 164 of the June 1924
Wiener Schachzeitung, after 1 c4 e5 2 a3 Nf6 3 e3
Be7 4 Qc2 in Tartakower v Lasker, New York, 1924:
‘Damit ist eine wohlbekannte Variante aus der
sizilianischen Verteidigung (die sogenannte
Paulsensche Drachenvariante) entstanden, nur mit dem
Unterschied, dass Weiss vorläufig die Rolle des
Verteidigers freiwillig auf sich genommen hat.’
More significantly, we have found the following on page
30 of the January-February 1914 issue of the Wiener
Schachzeitung:
7827.
A little skit
A game given here solely because White was the problemist
Murray Marble (see C.N. 5370):
Source: The Literary Digest, 15 July 1899, page
90.
Murray Marble – N.N.
Occasion?
King’s Pawn Opening
1 e4 f5 2 exf5 d5 3 Qh5+ g6 4 fxg6 Kd7 5 gxh7 Nf6 6 Qf5+
e6 7 Qg6 Rxh7 8 Nf3 Rg7 9 Qh6 Rg8 10 Qh3 Be7 11 d4 Ne4 12
Ne5+ Kd6 13 Bb5 Rf8 14 c4 dxc4 15 Nxc4+ Kd5 16 Nc3+ Nxc3
17 bxc3 Nd7 18 Qg3 Bh4 19 Ne3+ Ke4 20 f3+ Rxf3 21 gxf3
mate.
7828. My 61 Memorable Games
(Bobby Fischer)
No discussion of My 61 Memorable Games has
previously appeared in C.N., but we have now acquired a
copy of the book. The issue of authenticity has been
widely debated, with much assertion, guess-work and
vituperation expressed by various individuals (whether or
not they have actually seen the book). For our part, we
shall aim for a serene, objective approach, and the
present introductory item therefore mainly comprises a
factual overview of the book.
It is a 753-page paperback described, opposite the title
page, as ‘Second Printing’, with the additional
information ‘ISBN 0-9666673-0-1’ and ‘Printed in Iceland’.
No publisher or editor is named; nor is there a date of
publication. The contents are as follows:
- Page i: a Preface signed ‘Robert J. Fischer,
Reykjavik, Iceland, November 9, 2007’ stating, inter
alia, that the book is ‘an official version of my
book u pdated [sic] in algebraic notation, with a
few minor corrections’. [The words ‘official version’
are underlined.]
- Page ii: a facsimile of a letter dated 10 June 2005
from Gunnar Gudmundsson, an attorney, to the UBS in
Zurich about Fischer’s account with the Swiss bank.
- Page iii: Fischer’s original Preface to My 60
Memorable Games.
- Pages iv-viii: ‘Editor’s Notes (2007)’. These comprise
a series of often brash points, both general and
particular, by an unnamed writer. For example:
‘To those of you who take out the 1969 version of the
book, and compare it line for line with this one so
that you can triumphantly point out minute
differences: Get a life! [The last three words are in
bold type and underlined.]
We know that there are differences in the text. We
know that there are differences in the annotations.
Whereas the 1969 version has curt remarks such as “But
by
now I felt there was more in the offing” (page
17), in this modern version, you’ll actually read a
proper English sentence in its place.’
Various ‘errors’ in the earlier version are mentioned,
and on pages vi-vii Larry Evans’ introductions are
criticized, e.g. on account of their prose style and
punctuation. (On the subject of Evans, we note that his
article about the book on pages 5-8 of the March 2008 CHESS
was illustrated by a sample page that he had been sent
(concerning the first game, Fischer v Sherwin). For
reasons yet to be explained, the text varies slightly
from what appears in the book in our possession, and the
figurine symbols in the notation are in a different
style. Evans also referred to ‘a 12-page foreword’,
supposedly penned by Fischer, with the errors ‘United
Bank of Switzerland’ and ‘Borris Spassky’. In the
book we have received, the (one-page) Preface has Union
and Boris.)
- The final part of the ‘Editor’s Notes (2007)’, on page
viii:
‘We are also aware of the debacle governing the
“Batsford remake” of 1995. We did not fall into the
trap of “arbitrary editing” as more than one reviewer
had pointed out regarding the mess that Batsford
created. Our edits were necessary for the overall
improvement of the book. [The preceding sentence is
underlined.] The revised annotations are Fischer’s and
do not belong to anybody else.
We stand by this edition of the book as the best
version that we could possibly create under the
supervision and authorization of Bobby Fischer. Bobby
has seen, commented on, and approved every page of
this book. [This paragraph appears in bold type.]
Bobby says that anyone who claims this book is not an
improvement over the 1969 edition can just “Go to
hell.”.’
- After a photograph (there are many throughout the
book, in colour and black and white) and a list of the
61 games (the 61st is the first match-game Fischer v
Spassky, Sveti Stefan, 1992), there come the annotated
games (pages 1-742). A number of (purported) quotes from
masters of the past have also been added as fillers. In
the case of the original 60 games, the annotational
differences are extensive, with frequent improvements
proposed. The final game of the 60 (Fischer v Stein,
Sousse, 1967) is followed by a detailed article (pages
715-729) about Fischer’s withdrawal from that
tournament. It concludes: ‘Bobby Fischer, August 11,
2007.’
- A cartoon is on page 743, and the book then has a
three-page article (‘The Future Outlook for Chess’)
which begins:
‘As I see it, there are two main detractors
hurting the chess world right now.
1. The game.
2. The politics.’
- Then comes (pages 748-750) ‘Bobby Fischer’s Tournament
and Match Record’, which is labelled ‘Appendix A’,
although there are no other appendices. The book ends
(pages 751-753) with an index of the ‘Games Sorted by
Opening’.
This preliminary C.N. item concludes by showing a
complete page of My 61 Memorable Games, and it is
natural for us to pick the finish to the Fischer v
Bolbochán game discussed in Fischer’s
Fury (i.e. the affair of the forced mate containing
an illegal move). This occasions a major surprise because
the original Fischer note ‘incorrectly corrected’ by the
1995 Batsford edition is simply absent from My 61
Memorable Games. Moreover, Fischer’s annotation ‘The
coup de grâce’ in the 1969 book, concerning his
move 35 Qb3, has been transferred to after Black’s reply,
35...Rxf4.
We are reproducing the present C.N. item in a feature
article, My 61 Memorable
Games (Bobby Fischer), where additions will be
made from time to time. The intention is to build up a
solid factual basis for assessing the book’s authenticity.
Chess
Notes Archives
Copyright: Edward Winter. All
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